PARTY DOZEN
Today hectic Sydney punks Party Dozen (Kirsty Tickle and Jonathan Boulet) drop another single from their forthcoming fourth album 'Crime in Australia', out Sept 6th via Temporary Residence Ltd.“Money & The Drugs” follows previous singles “Wake in Might” and “The Big Man Upstairs” chronologically, but in no way musically. Much was made of the “softer, sweeter” side of Party Dozen displayed in “The Big Man Upstairs”, about how it was melodic and uplifting and how it had proper words (it didn’t). This isn’t like that.
"The first section of this song is inspired by a sound that we heard at the airport pick up zone in Sydney’" says Jonathan. |A small aircraft coming in to land low would project this low bending rumble into the cement car park filling it with resonant frequencies."
‘Money & The Drugs' features Kirsty really letting it out into her saxophone void. Then it picks up a coupla gears into a rockin’ frenzy” he continues. ‘It’s one of our most fun songs to play live. But sometimes too much of a good thing can land you in deep water. Sometimes this song gets away from us."
The accompanying video is testament to how fun the song is live. An absolutely blistering live performance of the song was filmed at New Zealand festival Camp A Low Hum by Aaron Streatfeild and Will Agnew, and edited by Boulet, somehow managing to capture the energy of a performance the group felt just might have been their best. Yet.
Party Dozen are back with a new album, Crime In Australia – the follow-up to their international breakthrough album, The Real Work (2022). That album included many new developments in the band’s evolution that earned them significant praise – most notably the Nick-Cave-featured “Macca The Mutt”, the surprisingly radio-friendly skronk of “Fruits Of Labour,” and the epic string-drenched beauty of “Risky Behaviour.”
As with its predecessor, Crime In Australia was written, recorded, produced and mixed by the duo themselves in their studio in Marrickville, Sydney. This time, the location was more of an influence than on previous occasions, as Boulet explains: “Marrickville in the 1960s-70s was a notorious crime hot spot. If a car was stolen, or someone was missing, they’d look for them in Marrickville. Since then, the area has been highly gentrified and slowly the once grimy industrial warehouse lined streets are being swapped for monstrous apartment blocks with palm trees.
We began without any theme in mind, just the beginnings of some song ideas. As we were discovering the songs for this album, each song felt more and more at home in an old cop tv series soundtrack. The Crime theme quickly became apparent. The record feels split into two contrasting sides: The first half is ‘order’, being as listenable as Party Dozen has ever been. Each song is law abiding and dignified in its own place. The second half is ‘disorder,’ becoming more unlawful, unhinged, louder and noisier.”
While plenty of people all over the world have found Party Dozen to be perfectly listenable, even at their loudest and wildest, the first side does feature some of their least abrasive moments to date. Certainly, album opener “Coup De Gronk” – described by the band as both “as catchy and danceable as we’ve ever been” and “one of Jono’s many dumb ideas” – is a lower barrier-to-entry than what introduced any of their first three albums.
Closing side one (for those of you following along on vinyl) is “The Big Man Upstairs”, a song arguably as conventional in structure as anything to bear the Party Dozen name. Obviously by the time Kirsty’s words have left her mouth, travelled through her sax bell and bank of pedals, and hit your ears they’ve lost all literal meaning and any right to be referred to as “lyrics”, but her intention is no less clear. With a looping nod to vintage shoegaze, the band describes it as “a softer, sweeter side to Party Dozen; an antidote to the swash tubbery and sax honkery”.
All that said, Crime In Australia contains more than enough moments of classic early Party Dozen mayhem. “Money & The Drugs” is “a frenzy... inspired by a sound that we heard at the airport pick-up zone in Sydney. A small aircraft coming in to land low would project this low bending rumble into the cement car park filling it with resonant frequencies”. “Les Crimes” occupies a space not too far from “Fruits Of Labour”, or as the band put it: “a pocket of music we find ourselves accessing that is just so silly but at the same time irresistible. Yes, we are serious about our craft, but yes, we are also exceedingly immature.” And Wednesday Adams is going to need to learn a new dance for “Bad News Department”. The verse of “Piss On Earth” feels like one of the dirtiest, nastiest, sludgiest things ever committed to vinyl until you realise it’s the calm before the chorus’ storm.
Across its ten tracks, Crime In Australia showcases a group absolutely unafraid to explore their “many dumb ideas” and as a result going places that are thrilling, visceral, face-melting, surprisingly danceable, and frequently ridiculous (often all at the same time).
The Real Work was Party Dozen’s third album following their 2017 debut The Living Man and 2020’s Pray For Party Dozen. It was Album of the Week in Stereogum, Bandcamp and Brooklyn Vegan amongst others. It was Feature album at 5 Australian community radio stations and received support globally from 6 Music, KCRW and KEXP, who filmed a live session in Seattle. Party Dozen toured Europe twice, as well as North America, China and Japan, playing with the likes of The Bad Seeds, Spiritualized, Tropical Fuck Storm and Algiers. They released a 7” on Sub Pop’s Singles Club and signed with the legendary Temporary Residence Ltd. The album was a finalist for the Australian Music Prize (Mercury Equivalent) and the Sydney Music And Creative Awards Best Album. “Macca The Mutt ft. Nick Cave” was nominated for the Triple J Award for Best Video while Kirsty won the National Live Music Awards Instrumentalist Of The Year. Album track “Earthly Times” was re-recorded with guest vocals from billy woods.
